Label the chords with chord names and Roman numerals.Write your work on the grand staff, using the treble clef for the melody and the bass clef for the chords or bass line.Include a time signature.Write a brief paragraph just a few sentences or bullet points reflecting on how your composition reflects what you learned in MUS 100,and attach it to your composition.The triads and seventh chords that you use should all be complete, having the root, third and fifth (and seventh, if applicable) present. Instead of writing out full chords in the lower part,you may use a bass line that uses a single note at a time but they must be chord tones.Format Submit a final that is computer-printed notation using noteflight.com or similar simple music notation program. Advice Trying to put everything you know and love about music into one 8-bar phrase is not a good composition strategy.Keep it simple!Use repetition and varied repetition.If you want to get fancy, you are free to extend your composition beyond 8 bars, but make sure you write 8 solid simple bars first.Finish with V-I, as indicated in the instructions! This may not sound cool, but do it anyway.The main point of this assignment is to demonstrate an understanding of the basic theory of tonal music, not self-expression.Self-expression might be a happy by-product of your effort, but it is not the priority.In case you need a starting place, here are some suggested progressions. (Feel free to come up with your own, but remember to start on I and end V-I, or, if in a minor key, start on i and end with V-i. EXAMPLEMAJOR KEY CHORD PROGRESSIONSIIVVVIV7I(simple)IVIVviiiV7I(elaborate)MINORiViViivV7i